The prayer flag project

I can’t remember how I learned about this project, but I’m thinking about joining in. I find prayer flags and prayer trees captivating: the raggedness; the littleness; the physicality of spirituality; the way they hold permanence and impermanence combined.

screenshot of blog

Back when I was exploring prayer flags (and their relationship to laundry) for a prayer flag weaving, I favourited a number of images on Flickr, so I’ve just made them into a small gallery to share with you. If you also happen to like looking at laundry, on the line is another gallery I made a while ago…

context and originality (or ‘who said it first?’)

In her comments on my fabric manipulation assignment, my tutor mentioned that when writing about my work I should ‘extend [my] frame of reference to include the work of other artists and craftspersons’ – to show that I’m aware of contemporary and historical textiles and to show how I’m influenced by others.

I must admit I sometimes avoid looking outward very far, for fear that I’ll find someone else doing just what I’m doing. I have had that experience once or twice, and I know it’s happened to other people too. I don’t mean copying – I mean that strange phenomenon where several people in far-flung places all start doing the same thing at the same time.

But, how important is that desire to be different? We have this strange Western obsession with originality (or I do anyway). Yet my most treasured comments are when someone has said my work inspires them – which I take to mean that something about it passes into their work or their way of seeing. And I don’t actually mind if people copy something I’ve done, if it’s in order to learn something or take something further – not in a commercial context, and I hope not without acknowledging it! As much as I can, I try to share my processes as I go along anyway. So I should surely take off those anxious blinkers and pay more conscious attention to who might be inspiring me, whether it’s in technique or style or philosophy. As my tutor says, ‘No-one works in a vacuum.”

So thanks, Julie, for mentioning Alice Kettle’s recent Place Settings series – it set me off on a trail of discovery. Here’s one of Alice Kettle’s collaborative pieces with Helen Felcey. There are more on her website under the ‘New Proj’ heading. I think these pieces are absolutely beautiful, lovely lines that move between the cloth and the ceramics, delicate shimmery spoons and cups set against the scribbly textures of Alice Kettle’s embroidery.

A search for place settings in art led me to some other works too. One was Judy Chicago’s famous piece “The Dinner Party“. I had read about this celebration of the lives of women throughout time before, but the power of the web means it’s now accessible in a 3D tour where you can virtually wander round the table. Quite awe-inspiring in its scale and execution, even just on-screen.

The second piece I found is a work in progress – also a large-scale installation – weaver Eleanor Pritchard’s Place Setting. This will be at Orleans House Gallery, Twickenham, from 12 June – 26 September 2010. Eleanor Pritchard says the work is ‘essentially a project about dining’ – her guest list includes all kinds of people from aristocrats to nursery maids. I’m glad I recorded the idea of narrative stitched into napkins in my ‘hospitality’ theme book before I found this site – that originality thing again! One of my ideas for the hospitality piece was to machine embroider the words of asylum seekers, their responses to receiving welcome, as white words on white fabric, ‘hidden away’, ‘revealed in the opening up of a napkin at the beginning of a meal’, ‘hard to read but if you look they are there’. I decided on placemats, not napkins, in the end, and I may not use the writing idea (though it’s still in the mix) but the uncanny similarity of intention remains. Eleanor Pritchard’s embroidered stories are central to her installation and will reflect the lives and narratives of her guests in 24 damask napkins. That is just a part of this work, which I think is going to be amazing and well worth a visit if you are within reach.

The last piece I found, which again has some elements in common with my theme, is not a large public work, rather a personal gift, but public nonetheless by virtue of being on Flickr – Samantha‘s lovely, quirky set of 6 ‘mismatched placemats‘ for a wedding anniversary gift. If I tell you I had already decided that my ‘hospitality’ piece would be 6 mismatched placemats and that they would be blue and white, you may guess that I did indeed start to feel a bit worried at this point! In fact the resemblance ends there and is actually quite incidental, but it does show that very few ideas are really unique – however hard you strive to be ‘original’. So I think I’ll stop fretting about that and just enjoy the connections!

Speaking of enjoying connections, I occasionally make a Flickr gallery, it’s easy to do and a great way of collecting some lovely and interesting work together in a complementary way. With blue and white very much on my mind, here are two to share with you: blue and white cloth and blue and white cloth 2. I hope they make up for the lack of pictures in this post!

assignment 3

Long ago, when I started this blog, its primary purpose was to track and trace my progress through the Open College of the Arts Textiles 1 course. Which, if I hadn’t moved, I would already have finished; my new deadline of mid-November is looming and I still have half the course to complete so I need to step up a gear.

Right now I’m working on producing a textile piece – it can be either a whole or a part of something but the ‘something’ has to exist at least as a design, this isn’t just another sample. I spent yesterday reviewing the work I’ve done in the previous couple of modules – Design, Printing and Painting, and Manipulating Fabrics. There’s a lot of ‘stuff’ and it’s impossible to lay it all out in one place as they suggest: instead I went through it, pulling out anything I really liked the look of or found interesting as an idea, and then ‘collected’ those piece together in Flickr.

design sources
link to Flickr version

Apart from looking for potential in the work I’ve done, I’m also interested in how it impacts on other people, whether it inspires, gives pleasure, moves, communicates or challenges. Only comments really give an idea of that, but this next mosaic is made up of the work that Flickr rates most interesting, which they appear to work out from some combination of number of views, number of comments and how often the work is favourited. There is some overlap with my own preferences, but mostly difference – I should think about the implications of that, but not in this post.

most interesting images
link to Flickr version

Looking for relationships and themes in the collection of potential work from which to develop a further design, visually I see stripes and edges, borderlands where boundaries are in question, colours merging and glowing, textures combining with pattern, grids and intersections, irregular rhythms and flowing movements, circles, spirals and radials.

In terms of materials and techniques I see fabric manipulation, felt, silk, wool, cotton, paint and dye, and the traces of stitch. While that’s partly due to the constraints of being asked to choose material from the most recent modules, it fits with where I feel myself to be. Things that I’m not seeing, but would also include, are actual expressive stitch, text, and elements of collage or layering.

As for subject matter, well, hmmmm, it almost seems that the surface is the subject? something about the interplay of texture and colour, pattern and shape and light. I note that the work that interests other people is much more varied and includes conceptual and representational work as well. Definitely more food for thought there….

I’ve done a whole lot of playing in Photoshop both with theĀ  design source mosaic and with some of the individual images – changing colours, applying filters, wrapping the pixels around displacement maps to create new surfaces. Gathered fabric and shibori make interesting maps to work with and I like the idea of recycling these images of fabric manipulation samples directly back into the design process. I’m ready to start developing the design work into samples now – the ones I may pursue are on Flickr – but here are a couple of them.

design work

design work

felted fabric and Mr Bear

When I was playing with nuno felting using sari ribbon (see the previous post), I thought about doing some similar things with different types of fabrics. This is a bigger piece of felt using some strips of tray-dyed muslin (blogged here).

nuno felt

nuno felt detail

When I started this piece my plan was to make a piece of fabric and use part of it to cover a dining chair seat but I’m not sure now, I quite like it as a whole. Though I would have paid a bit more attention to the edges if I hadn’t been intending to cut them off! Perhaps I’ll hang it up for a while and then cut it up. It’s 53 x 73 cm (shrunk from 75 x 95cm).

If you hang felt, how do you hang it? if you don’t want to frame it? I don’t think I’ve come across anything written down about that and would be interested to know what methods people use.

On another note, I was thrilled to learn a week or two back that I’d won a giveaway on Caroline Inckle’s blog The house of secret superheroes and could choose any print from her Etsy shop – a difficult decision as they are all so lovely, but in the end this is the one I chose…

meeting mr bear

It’s ‘Meeting Mr Bear’, which is one of a set I’ve loved since I first saw them on Caroline’s old blog. The image says something very special and magical to me about God, about love and prayer and discovery and trust. I know that’s a very idiosyncratic interpretation of the work, but this image touches my spirit and it’s such a joy to me to have the print. Thank you, Caroline.

fun with Flock and Flickr

Styling itself the “social web browser”, Flock (based on Firefox), has a host of built-in features for social networking, but I’m writing about the one I like best – the Media Bar. This can be opened from the View menu or by clicking an icon in the Flock toolbar:

Flock media bar button

The Media Bar can be used with several different media services including Facebook and YouTube, but I only use it with Flickr. When the bar is open (at the top of the screen by default though you can move it to the bottom) it displays photo feeds laid out as a single-row grid of square tiles. (I have a thing for grid layouts so this is great for a start!)

There are a couple of built-in streams, which update regularly to show the latest images that have been added to Flickr, for example photos from your Flickr contacts:

Flickr contacts

But you can have your own custom streams too, and this is where the fun really starts. You can add your favourite Flickr searches – mine include “stitch textile”:

stitch textile Flickr search


shibori Flickr search

and “nuno felt”:

nuno felt flickr search

It’s visually exciting to see the thumbnails together, and if something particularly catches your eye, you can hover over the thumbnail and expand the image to see it better and find out who it belongs to – this one is by felt4uart:

nuno image expanded

Or you can click through direct to the image on Flickr (this is by KatharinaBe):

from media bar to Flickr

You can tell someone else about an image:

sharing images

And save your favourite searches to revisit:

media stream menu

Sometimes I play with keyword searches for inspiration – this was “orange spiral”:

orange spiral search

The default media stream is “Preview New” which displays the newest images from all your saved searches, including your Flickr contacts.

Flock preview new

I spend much of my working day using a browser, so I really like this colourful little changing show of textiles and design inspiration quietly feeding itself onto my screen. Something will often catch my eye and give me a moment of pleasure. When I stop for a break I sometimes scroll back through recent images and maybe follow through one or two that stand out. And if it all gets too distracting, I can just close up the Media Bar, knowing next time I open it up there’ll be new goodies to enjoy.