For those who can access the BBC, a new TV series coming up on BBC4 sounds interesting – a “series of three documentaries exploring Britain’s relationship with fabric, featuring knitting, needlework and wallpaper.” It starts on Wednesday 18th with ‘Knitting’s Golden Age’.
Thanks to Journal for WS&D on Twitter for this.
I realise how often I don’t post here because I take so long to write a post and get images together; and how counter productive that is.
So just a note about a couple of things I’m doing.
The latest in the withdrawn warp experiments, this is bigger than the previous one, 36cm long, and was woven on the tail end of the first warp on my new Saori loom. The fibre was combed top, with an assortment of frayed fabric strips. I’m beginning to get an idea of how this could develop.
This is the first length of fabric I wove on the loom using the pre-wound warp that came with it. It’s mostly handspun yarns and the warp is cotton. Apologies that I haven’t yet trimmed the ends on the back.
This was on my Ashford Knitter’s loom a couple of weeks ago – a length of fabric using handspun yarn and handdyed and recycled cloth, with some ribbon and embroidery threads. I haven’t decided how to use it yet, my loom’s only 12 inches wide so this is just over 2m of 25cm width fabric, not enough for clothing on its own but I could mix it with something else, maybe. Or do something else entirely. Still thinking…
I’ve also done a couple more samples with the withdrawn warp idea.
This one could perhaps be called nuno weaving? It’s carded merino interwoven with dyed muslin. I used monofilament fishing line for the warp and withdrew it after felting by hand. Not very pleasant to work with the fishing line and it wasn’t much easier to withdraw than the hemp yarn I tried first of all.
This one is handspun yarn woven with sari ribbon and silk organza on a cotton warp, felted and the warp withdrawn. Felted using the tumbler dryer, using this method from Treetops Colour Harmonies, then fulled by hand.
I’m not sure where I’m going with this but I’ll just keep playing and see what happens. I’m also thinking about weaving something very open and using it in nuno felt in the usual way. Or in a different way… I got a lovely book in the post yesterday – From Felt to Fabric by Catherine O’Leary. She uses a very inspiring nuno felt technique with what she calls ‘nuno prefelts’. It fits right into my current preoccupation with ways of combining wool and cloth.
This week’s biggest achievement was to get my shop on Etsy up and running. I’ve been letting my perfectionism stop me doing this since January, and I’m so glad to have made a start now.
We have another Tiree Tapestry Group workshop tomorrow, finishing work on the backgrounds (twelve of them, in the colours of a Tiree day) and starting working on the main images. I’m helping with the images, so I’d better go and start getting ready!
I had heard this word, Saki-ori, before, but I never quite took in what it is. The Japanese tradition of creating new cloth from old cloth, weaving with thin strips of worn fabric. Akin to rag rugs, but on a fine scale, soft enough for clothing.
When I made these …
for these …
… I knew I would come back to this, one day. Find out more. Take it further.
A long time ago, I stitched connections between the fabrics I’ve worn and worn out.
Three weeks ago I met a woman who will never buy any clothes again, ever.
Then, I read the year of enough by Joanna of Things[HandMade].
Yesterday, sorting out supplies for a feltmaking day I’m leading next week, I felt drowned in everything I’ve amassed, such quantities that I hardly know what I have.
There’s so much going on in my head right now I think I may fly apart. But I hope that the quiet discipline of cloth will hold the fragments together.