This warp started as a deflected doubleweave draft from The Deflected Doubleweave Handbook, which accompanies a video by Madelyn van der Hoogt, adapted to the yarns I had on hand when I began it while staying with my sister and with limited supplies.
Deflected doubleweave is a weaving structure with separate yet interwoven layers where the movement of the yarns, once the cloth is off the loom and wet finished, creates new shapes, curves, even circles, and the front and back are different, sometimes very different.
When I picked it up again after arriving in Swansea, with a different limited set of supplies, I wandered away from the pattern, trying different yarns, using up bobbins and experimenting to see what would happen with different combinations of fibre and pattern.
I find the fibre interactions astonishing, what happens with the colours and the textures and how it can all shift into something so different. And even more than that, I am seeing so much potential in this weave as a metaphor for expressing the magical spaces that fascinate me – this world and the otherworld and the thin places between, those liminal borderlands and thresholds where one thing becomes another, the integration of images, ideas and emotions that seem to be in opposition but can be experienced as both/and, not either/or. What Rowan Williams calls ‘a layered and broken reality’. I’m nowhere near the technical mastery to embody any of this in the weaving yet, but I mean to practise all I can, till I am able to break (or keep) the rules through choice and not through ignorance; and to explore the debatable land a little further with every warp.